With just over two weeks to go until the start of Phish’s 2013 Summer Tour, the Phish community is abuzz with plans, predictions, and expectations for the coming year. After a peak year in 2012, the expectations for Phish 3.0 have never been higher. Whereas each year since 1999 has ended with a litany of questions about the band’s health, focus, direction, etc, 2012 concluded on a unanimous high note. And, while their NYE Run didn’t quite stack up as a whole to the entirety of their brilliant summer tour, it was still a far cry from the puzzling no-show that plagued the end of 2011.
So, the question begs asking, what can we reasonably expect from Phish in 2013? I emphasize “reasonably” because, more often than not, these types of columns result in writers predicting everything from 30min jams to guaranteed-Gamehendge performances. Here at tackle & lines we try to view Phish’s career and music with as much of an even-handed approach as possible, and this column will be no different.
Before we get to the predictions, however, we must take a quick retrospective look back at how we got to where we are now.
In the five years since Phish emerged from an extended hiatus in Hampton, VA the band has far exceeded the expectations that any fan could have had when they announced their return in October 2008. While during much of June 2009 they appeared to be a band lost within themselves, by the time Leg Two of their tour started out west, they immediately rediscovered what made Phish Phish. Jams returned, gimmicks became something of a norm, and Phish shows became re-listenable once more. With their eighth festival, and an incredibly apropos Halloween cover of Exile On Main Street under their belt, the band toured their East Coast stronghold’s, before celebrating their first NYE in six years in Miami. Featuring two dynamically different sides of Phish, their Fall Tour showed them tightening up and adding a bit more energy into their shows, while their NYE Run resulted in some of the more interesting jams of 2009.
Six months later the band’s second Summer Tour of 3.0 began in Chicago. What started with a string of uneven shows eventually proved to be the band’s weakest tour of 3.0. Dominated by Trey’s overuse of the Whale Call effect, jams lost steam midway through, shows lacked flow and energy, and, by July 5th, the band looked totally lost. While the 06/27/2010 Merriweather Post Pavilion show is still highly regarded among fans, it proved to be little more than an anomaly, as the band entered the second leg of their tour with more pressure to deliver than anytime since 2004.
In typical Phish fashion however, the band came out the gates on a mission. Armed with a new guitar that gave more overall body to his sound, Trey moved away from the atmospheric sirens of the June Tour, incorporating more notes and rhythm into his playing. The results were immediate with jams off of “Cities,” “Simple,” and “Light” from the Greek Theatre displaying how much more dexterity they had when their sound was opened up to more communal playing. The August Run proved to be the point where everything changed in 3.0. A massive step forward for the band, they followed it up with an even more groundbreaking Fall Tour. Clearly in control of the direction of their music once again, Phish used the Fall Tour to revert back to age-old gimmicks, and an overt playfulness that bled throughout their shows. Shows like 10/16/2010, 10/19/2010, 10/20/2010, 10/26/2010 and 10/30/2010 carried the same energy, element of surprise, and aggressive playing that harkened back to their glory days in the 90’s.
Closing out the year with a five show NYE Run through Worcester and MSG, all was right in the Phish community. While there were still questions about certain aspects of their playing – their jamming was still not totally consistent, their shows still had the capability of becoming tedious recitals at Trey’s initiation, and their fluidity seemed to come and go at will – overall, 2010 ended on an incredibly positive note, in much the same way as 2012.
When Phish kicked off 2011 with a string of shows from Bethel, NY – Cincinnati, OH that ranked as some of the most consistent and transcendent they’d played in all of 3.0, it immediately seemed that all the trepidation and uncertainties of the first two years of their comeback were all but behind them. And yet, while 2011 featured some of the biggest breakthrough’s of 3.0, it was still marred at times by the inconsistency that continued to define Phish’s return. Losing steam midway through the tour when most would have assumed they’d have kicked it up a notch, the band treated their home turf to some of the shakiest shows in recent memory.
However, at their SuperBall IX Festival over Fourth Of July the band engaged in their biggest musical risk in years: locking themselves in a storage unit on the night of July 2nd and performing an abstract, noise-based jam for all who were still awake. On the next night they played their best concert since reforming, weaving the Storage Jam into the first narrated “Col Forbin’s” in eleven years within a first set that saw the band compliment expert song selection with adventurous playing. A show for the ages, they returned to the road a month later with essentially all the baggage of year’s past off of them. Over the course of August and early-September the band infused many of their jams with the seedy and industrial noises of the “Storage Jam,” embracing full-on experimentation in ways they simply hadn’t since 2004.
Concluding with two incredible three-night-stand’s in Chicago and Denver, the band took the Fall off at essentially the highest they’d been in all of 3.0. For whatever reason – rust, lack of inspiration, lack of communication, side-project distractions – their 2011 NYE was one enormous dud. Save for a surprisingly fun 12/28/2011 show, and a scintillating “Piper” jam on 12/30, Phish simply couldn’t muster the ability to play up to the standards they’d created on three of their biggest night’s of the year. As a result, the good vibes that resonated thanks to the breakthrough’s in the summer were overshadowed by the questions that lingered as a result of the NYE Run. Rumors of problems within the band persisted all winter and spring, and Phish entered 2012 with more questions hanging over their head than any time since July 2010. After all their hard work to reinvent themselves in 3.0, it felt to many that the band was back to square one all over again.
For whatever reason, 2012 was without question the band’s best year since 2000. Armed with a goal of playing over 200 unique songs throughout the Summer, the band injected fresh songs into their setlists, creating an immediate element of surprise at each of their shows. Also, from night one in Worcester, it was clear that a focus on improvisation had been pushed to the forefront. For the first time in 3.0, the band played a better June Tour than an August Tour, as June was filled with humor, bustouts, and a genuine sense of fun from both band and audience. Gone were the clunkers that could dominate whole runs. Phish shows’ felt like Phish shows again. As shows like 06/15/2012, 06/22/2012, 06/23/2012, 06/28/2012, 07/03/2012, 07/06/2012 displayed, the band could now really play any style of show and nail it.
In the Second Leg they battled their first bout with inconsistency in San Francisco and throughout the SE, yet whereas in the past this would have resulted in complete duds for shows, here, in 2012 there are still plenty of moments of inspiration that can be found within each. More to the point, shows like 08/19/2012, 08/28/2012, 08/31/2012 and 09/01/2012 displayed a total command the band had over their sound and sonic direction.
The tour concluded with the best three-night-run of 3.0 at Dick’s Sporting Goods Park in Commerce City, CO. A venue they’d closed their 2011 Tour with to rave results, Dick’s featured the band as probably the best they’ve been since 1.0. Taking hold of the “FUCK YOUR FACE” gimmick on 08/31, Phish jammed with dexterity and ambition in ways we simply hadn’t heard throughout 3.0. It was an affirmation of sorts for all who’ve stood by Phish since their return. A Summer Tour that had started with so many questions and uncertainty concluded with the best show they’d played in over a decade.
Following another four-month break before their NYE Run, the band proved far more prepared this time around, assaulting MSG at times with jams on the level of those we’d heard at Dick’s, while closing out a banner year with their best NYE gimmick in years. While it was clear that they could have used a few buffer shows between Dick’s and MSG, overall the run was a success, and has us standing on the brink of the band’s 30th Anniversary with more anticipation than anytime throughout 3.0.
Below are a list of things I think we can reasonably expect from Phish in 2013. Aware of the fact that the overall point of listening to Phish is to embrace the unexpected, these are presented as more of a preview of what’s to come in 2013. As always in 3.0, we’re simply lucky to have the band back, the fact that they’ve reinvented themselves is such a powerful way is simply icing on the cake.
I. Further Development In The Three Dominant Styles Of Jamming
Everyone can agree that 2012 was the year the jams fully returned to the forefront of Phish. Whereas in the formative years of 3.0 the band would go multiple shows in a row without a single exploratory jam, in 2012 nearly every show contains at least one example of genuine improve. Even more encouraging to fans of their exploratory excursions is the fact that by year’s end Phish had settled on three defined styles of jamming that displayed communication, diversity and regularly produced standout jams.
First, you had the Dick’s “Light,” and “Sand,” and the MSG “Tweezer,” three jams which spent upwards of ten minutes exploring the unknown, before becoming focused and building towards an old-school tension & release peak.
You also had more abstract jams such as the Cincy “Twist,” Alpine “Fee,” Long Beach “Rock & Roll,” San Francisco “Crosseyed,” Dick’s “Carini,” and “Runaway Jim>Farmhouse,” and the MSG “Down With Disease,” and “Carini,” which meandered like many of the late-90’s and 2.0 vehicles, contemplatively covering a plethora of ground with little focus or tension.
Finally, you had, perhaps the most intriguing of all, the melodic-driven jams, that are purely a product of 3.0. From the AC “Birds Of A Feather,” and Burgettstown “Light,” to the Dick’s “Undermind,” and “Chalk Dust Torture,” the band used a melodic approach with each of these jams resulting in whole-band communication, along with a multitude of terrains explored, solidifying them as some of the most innovative and memorable jams of the era. One can only expect that, as 2012 built off the improvisational advancements of 2010 and 2011, that 2013 will display even further the potential each of these styles of jamming have.
II. Bustouts……Even More Bustouts
Entering 2012 with the ambitious goal of playing 200 different songs throughout their Summer Tour helped to infuse the tour with fresh songs, and ultimately resulted in an anything-goes feeling throughout he tour, and overall year. Since the onset, 3.0 has been chock-full of bustouts like no period in Phish’s history before. Partially due to the fact that the band simply played less shows between 1997 – 2004 than they had in the previous eight years, and thus focused more on rotational songs than rarities. Yet, perhaps even more so, thanks to their emphasis on celebrating their own musical history, Phish has brought many once-forgotten songs like “Fuck Your Face,” “Skin It Back,” “Tela,” “Sparks,” and “Alumni Blues” back from the dead over the past five years. Based upon this trend, and the fact that this is the band’s 30th year of existence, one wouldn’t be too out of place to suggest we can expect more of the same in 2013. Could songs like “Acoustic Army,” “Ain’t Love Funny,” “All Things Reconsidered,” “Amazing Grace,” “Axilla (Part II),” “Bye Bye Foot,” “Chalk Dust Torture Reprise,” “Crossroads,” “Dave’s Energy Guide,” “Dear Mrs. Reagan,” “Don’t You Wanna Go,” “Fourplay/Long Time,” “Izabella,” “The Landlady,” “Lushington,” “Spock’s Brain,” and “Prep School Hippie” be far behind?
III. “Harpua,” “Col. Forbin’s Ascent -> Fly Famous Mockingbird,” and “Icculus”
Believe it or not, but 2012 was the lone year of 3.0 that didn’t feature any of the above songs. Lost in the mix of the band’s musical renaissance were three classics that focus more on the theatrical side of Phish than their musical. While one certainly can’t complain about their exclusion from a year that featured so many highlights across the board, one has to assume they’ll be back this year. A year that’s poised to feature a number of surprises, and referential moments towards the band’s legacy, each of these three songs would fit perfectly with the overall vibe of the year. Be it in Toronto or Alpharetta, or even in Chicago, each of these songs are welcome at any show, for they immediately raise the bar in terms of energy and historical significance.
IV. A Substantial Fall Tour That Builds Off The Achievements Of Summer
For as boundary pushing as the last two Summer Tour’s have been, the only thing they’ve clearly suffered from is a lack of Fall Tour to continue pushing their sound further. Just imagine for a second what would have happened to the sounds of Summer ’95, Summer ’97, and Summer 2010 if they hadn’t had a Fall Tour to be fully realized. Then think about how much more consistency the band could have played with, and how much further they could have pushed their music had they spent the last two Fall’s on the road.
By all accounts a Fall Tour is happening this year. The sheer fact of it is nothing to predict. This is Phish’s 30th Anniversary, the rumors are all across the web. What we can predict however, is that, unlike Fall 2009, the Fall 2013 will better resemble Fall 2010 in the way it will push Phish’s sound even further. Rumors of a Halloween show being tossed in there only raise the bar even further, for we know what positive effects practicing and covering full albums have historically had on the band. With a summer set to hit up some of the most storied shed’s in Phish history, we can only imagine how much music they’ll have to build upon with a short break before Fall.
V. A 30th Anniversary Run That Actually Celebrates The Band’s Legacy
If there’s any takeaway from the 2003 Turkey Run it’s the fact that it really couldn’t have honored the band’s twentieth anniversary any less than it did. After a four-month gap following their IT Festival, the Run featured a band in an awkward state of denial over their current health and dismal future. Sure they brought The Dude of Life and Tom Marshall out. Hell, they even brought out Jeff Holdsworth for the first time since 1986. And, yes, there are some intriguing moments throughout, see: “Ghost -> WTU,” “Twist -> Simple,” 12/01, “Piper,” and the “Rock & Roll -> Weekapaug -> Tweezer Reprise -> FranKungstein”. But the historical legacy of the run is more of failure, and foreshadowing, and less of a band fully embracing their historical significance.
Here, however, in the healthy and joyful era of 3.0, you can be certain the band is going to go to great measures to celebrate the fact that after 30 years, they’re still alive, and going strong once again.
VI. More First Set “You Enjoy Myself’s”
Played only seven times in the last two calendar years, “You Enjoy Myself,” has in three of those instances, been played out of it’s normal slot, and in the first set. Expect this to continue. It appears the band really likes its ability to inject fresh energy and intrigue into a show through a first set performance. It’s also proven to help expand Set I’s from what were strictly song-based affairs, into more fluid and jammable mediums.
A noticeable trend throughout 2012 was the band’s re-embracing of the first set. From 06/15 and 06/22 to 07/06, 08/19, and 08/31, Phish attacked their first set’s with energy and a focus on exploration like they hadn’t since 1.0. Further appearances from the band’s seminal song will only solidify their dedication to explore within Set I.
VII. A Dick’s Run That Will Fail To Live Up To The Hype
With a two week gap between their UIC run and their initial Dick’s Run in 2011, many wondered if Phish would lost steam from their August Tour and play a rusty set of shows to close out the tour. At the time, Dick’s looked more or less like bonus Phish. As it turned out however, Dick’s 2011 turned out to be the run of the year, solidifying 2011 as the year of the three-night-stand’s, and gracing us with some pretty monumental music to keep our faith alive throughout the winter and spring of 2012.
Last year Phish timed everything perfectly, with their whole tour leading up to Dick’s. Easing themselves throughout the tour, they picked their spot’s perfectly, allowing them to be energized and fresh by the time Dick’s came around. As a result, they absolutely tore the soccer stadium to pieces, playing the best show they’ve played in almost a decade, while littering three nights with monumental jams.
This year, there’s a twenty-five-day gap separating their tour finale at the Hollywood Bowl and Dick’s. Many surmised that this break would allow them to have a storied, mid-August NE Festival akin to 1996 – 1998. This, however, has proven to be little more than baseless rumors. Either way, seeing how the band has crushed Dick’s in year’s past, along with the fact that their going to have close to four weeks between their last show and Dick’s, I’ve got to imagine that this is the year Dick’s fails to live up to the hype. This doesn’t mean there aren’t going to be memorable moments throughout, or even a solid show tossed in the mix. Just simply based on the fact that like how Phish can’t crush MSG every single year – nor any other legendary venue – odds are one year is going to be an off year at Dick’s. My gut tells me this year is that year.
My heart on the other hand, has me hoping they come through once again. Anyone who’s been there know’s, there’s a damn good reason they keep coming back to Commerce City.
VIII. A Banner Year For “Harry Hood”
“Harry Hood” has been something of a wandering classic for the last ten-odd years. In 2.0 the band chose to explore it in ways they’d rarely done in the past. In 3.0 it’s shifted between performances that have completely fallen flat, and those that have just almost reached that place. In 2013, one has to imagine that all the time back, the vastly improved chops of Trey, and the inert communication that’s been brewing for five years will lead to a glorious return of one of Phish’s true masterpieces.
Listen closely, and it’s clear, from 09/04/2011 to 08/15/2012, 09/02/2012 to 12/30/2012, slowly but surely the band has been rebuilding “Hood” back to its former glory heard clearest from 1993 – 1996. While still scattered with versions that were either rushed, forced, or just couldn’t quite get there, 2012 was the best year we’ve had for “Hood’s” since the 90’s. In 2013, expect the majority of Hood’s to be the kind of emotive and connective forces that made us fan’s of it so long ago. No better way to celebrate 30 years of Phish than with a transcendent “Hood” after all.
IX. SPAC, Chicago & San Francisco…
Within the first twenty-two shows of the tour are three individual three-night runs. In 2011, Bethel, SuperBall IX, Chicago, and Dick’s reigned as the runs of the year. While 2012 still faired pretty well with AC, SPAC, San Francisco and Dick’s, only SPAC and Dick’s truly mastered the three-show run. Here in 2013, one has got to imagine the SPAC is going to explode with the energy of the band out the gates, the mid-tour stop at Chicago’s Lakefront will produce some particularly inspired music, and their comfort on the road after a month will lead to a three-night romp in San Francisco. With only Dick’s coming at an awkward time within the tour, these three three-night runs are sure to be the most memorable stops of tour. A unique medium, and one that can either bring out the best in the band, or prove how off they are, the three-night run, when played accordingly, usually result’s in some of the most transcendent moments of a tour. With enough time to get settled into a venue, and ideas that build from one show to the next, there’s simply no way they won’t destroy the above runs.
X. Even More Six & Seven Song Set II’s
Hand-in-hand with the inspired jamming of 2012 came a plethora of six and seven song second set’s. A simple product of mathematics – when you play longer songs, you have to play less of them – the band filled much of the last part of 2012 with a number of inspired sets focused more on their playing, rather than what songs they were playing. Look no further than 08/15/2012, 08/31/2012, 09/02/2012, 12/28/2012, and 12/30/2012 for some of the best examples.
While, in the same sense that longer jams don’t necessarily mean better, there are also examples to the counter, of 10+song second sets that were fantastic – 06/22/2012, 06/28/2012, 07/08/2012, 08/19/2012, and 09/01/2012 per example.
What makes the six and seven song Set II so special is the fact that it offers the band the unique opportunity to fully incorporate flow and thematic music into a cohesive set. These set’s listen more like albums, rather than a simple conglomeration of songs. With an increased focus on improv, expect these types of second sets to become something of a norm in the summer of 2013.
XI. A NYE Show That Totally Delivers
It’s strange to consider, but, for however good as Phish’s NYE Runs typically are, the band has yet to deliver on a monster 12/31 show since 1999. Sure, 12/31/2012 was an all-around fun show to be at, complete with a fully-flowing Set II and a classic gag to ring in 2013, but more often than not, since the 90’s, NYE shows have often felt more like after-parties to the mayhem of 12/29 and 12/30. One’s got to imagine that coming into this NYE Run the band is going to be so amped up from their 30th Anniversary celebrations, along with a complete Fall Tour, that they’re going to finally put everything together to craft a NYE show of lore.
In the past, their best 12/31 shows have revolved around three factors: classic song selections, monumental jamming, and ideal gag’s that fit perfectly with the music. Look back at 12/31/1993, 12/31/1995, 12/31/1998, and 12/31/1999 for the best examples. It’s bound to happen one of these years, and it just makes perfect sense that the combination of playing, gimmickry and song selection will come through this year. If you’re on the fence about NYE 2013, man-up and make the commitment. This year has classic NYE Run written all over it.
That does it for tackle & lines 2013 Phish Predictions. As with all these types of columns, the key is to read them for pleasure, and take them with a grain of salt. At this time last year few could have ever predicted the year of Phish we were in for.
Hope everyone’s looking forward to tour as much as we are! Please feel free to leave comments, thoughts, suggestions and rants to the column as we will respond to any and all questions.